We featured songs on this episode that use the unique “talk singing” technique. For the most part, we agreed that talk-singing meant that the singers were using short notes without too much melodic range, but still consciously in the key of the song.
We talked about:
how the ends of talk-singing musical lines work
the differences between rap and talk-singing
how talk-sung songs have interesting music beds
how you have a melody even when you’re speaking
how the late 70s and 80s saw a lot of talk-singing songs
The always surprising, risk-taking, gear-shifting, soul-belting Oh Chays are beholden to no single genre. Currently writing and recording their second album, The Oh Chays are a husband and wife duo raised on trad jazz, rockabilly, gospel, and the Detroit radio of the 70’s and 80’s. Consistently wowing audiences with their versatile musicianship, songwriting, and razor-sharp wit, The Oh Chays are not to be missed live.
Since their inception in 2014, The Oh Chays have racked up an impressive list of accomplishments winning the Canada South Songwriting Competition in August 2017 for their song The Glass, competing in the 31st Annual International Blues Challenge in Memphis Tennessee, and reaching the finals of the Toronto Blues Society’s talent search with their song Big Old World.
Emily Mac is a singer-songwriter and a regular at our Songwriter’s Roundtable Meetup. She joined us with piano player Joel to perform and talk about two of her songs, Back to the Rhythm and When It’s Gone. Special guest host Carmen Toth filled in for Neel. We talked about:
how learning to play an instrument helps to ground your accapella writing
why it’s good to be the stupidest person in the room (when collaborating)
For our Valentine’s Day special, each member of the Song Talk Radio team brought a favourite love song too woo our listeners. All the songs were very different, and we each had a different take on what makes a good love song:
Bruce appreciates authentic, honest expressions of love
Neel likes it when there’s a nuanced message
Vanessa looks for a specific emotional response in the listener
Etain likes sincere and from the heart love songs that you can dance to
Phil likes honesty and originality in his “happy” love songs, and
favourite twitter follower of the show, Sharon (@SharonRose2012), said “Love songs should make you remember what it’s like to be in love.”
We also talked out:
writing songs from a gay perspective
modern songwriting melodies
ska music vs. reggae
verse / refrain / B section song structure
Putting a twist on the default “I love you” message
Listen to the whole show:
Check out the love songs we love to love:
Here’s the team’s top picks, and even some great love songs that didn’t make it to show!
Bruce’s pick for the show was a song written by a gay songwriter:
And Bruce’s runner-up pick, a classic love song:
Etain’s pick for the show was a quirky and cheeky 80’s song:
Neel’s pick was an earnest and upbeat, catchy love song with a twist:
and Neel’s second choice (not featured on the show) was a quirky duet about loving in the biggest way possible:
Phil chose the first song he ever heard when he realized “that’s a great song”:
Phil also considered a beautiful new wave song for the show:
Vanessa brought a gorgeous, folky ballad by Jewel:
She also considered a collaboration song by Macklemore and Ryan Lewis
And our twitter followers contributed to the conversation with their favourites:
The extraordinarily talented singer-songwriter and producer Marlon Chaplin joined us to talk about his crafty approach to songwriting, and share two songs. Dave Miner also joined us to fill in for Bruce as co-host. Thanks a million, Dave, you were great!