Pop singer-songwriter Lora Ryan joined us with her guitarist Andrew Scott to share two songs and talk about her songwriting process.
Singer/songwriter Lora Ryan is poised to make some noise in the independent music scene. Born and raised in Montreal, Quebec, she recently relocated to the Hollywood of Canada: Toronto, Ontario. Lora draws on personal experience to pen her lyrics, which can only be described as original and emotionally driven, sometimes angry, often angst-ridden, but always heartfelt and honest. “My world revolves around music,” she emphasizes.
We talked about:
writing poems with melodies = songs
using open mics, instagram and facebook for networking
articulating the end consonants of your words
finding the right tempo when performing live
moving your story forward through the verses
why you should have a great opening line
the relationship with your producer as a co-songwriter
The show you’ve all been waiting for…or maybe that was just Neel. The Song Talk Radio Team tackles the subject of the pre-chorus; what it is, what it does for a song, and why have one? Singer/songwriter Melanie Peterson joined us to perform one of her songs as an example, “Been So Long.” To add a few more examples to the mix, Phil brought “Buddy Holly“, a short catchy tune by Weezer, Bruce brought Beige Shelter‘s latest release “Light Your Way” (by Adi Aman and Neel Modi), , and Neel presented “Head Like a Hole” by Trent Reznor of Nine Inch Nails.
Popular guest co-host and guest on Song Talk Radio, Patrick Ballantyne dropped by the studio to share two of his well-crafted songs. “Where Things Used to Be” is great example of the skillful combination of melody, structure, and lyrics to evoke a strong feeling of longing in the listener. Listen to the bridge in particular and the completely surprising chord on the word “dreams”. Patrick’s song “Plans” starts with a great line, “In California there are dates in the trees…” and connects to “dates on my calendar”. The message of a man who sees that he must change is both poignant and honest. As we discussed the tunes, we talked about:
Having a manager
How tasty an E flat chord can be in the key of G
The use of “pause” in songwriting
Co-writing and collaboration
Ticket sales and merchandise (how to make money in music)
Braeden Mitchell returned to Song Talk Radio for his third visit and contributed to a very lively and informative discussion of songwriting and recording. He shared two songs with us, Glory Days and Everyday Girl, both from his upcoming EP release. We talked about:
moving from a pop-rock sound to a folk-country style
a producer’s influence on approach, arrangements, structure, and more
why perform songs in a club to “test-drive” them before recording
Moody, original and unexpected are three words that describe the song writing of Louis Moon.
He started his musical life when he took piano lessons at age seven. Three years ago, influenced by Korean Hip Hop artists, he began to create his own beats. More recently he added lyrics and his own voice to the mix. On this program you’ll hear two Louis Moon songs; “With You” and “Morrissey Love”. We talked about:
Toronto and Mississauga-based singer-songwriter Ashley Braga joined us for two live performances and insights into her unique approach to songwriting. While most songwriters turn largely inwards to write, Ashley provides a service writing songs for other people, based on their relationships and emotions. Often the songs are for engagements, weddings, or funerals.
Born in England, raised in The Netherlands, Paul Vos shared two of his songs with us at Song Talk Radio.
The first was “Lost Along the Way” a song about finding love when you least expect it. Listen for the awesome 80’s background vocals on the chorus! The second tune, “Heaven in My Hands” had us all dancing to its funky beat and tasty guitar licks. It also sparked a lively discussion on the merits and possible pitfalls of repetition in a song. Over the course of the program we also talked about:
writing songs with only a bass line or a beat
How some lyrics sound like something else when they’re heard (like “re-find it”)
How long should a pre-chorus be?
How a song can benefit from a bridge, a breakdown, or an instrumental interlude
Whether a singer’s vocal style should change dramatically during a song