Singer/Songwriter Jordan Paul stopped by with a couple of brilliant songs. His sound has been described as “if Queen, Mimicking Birds, Radiohead, and Led Zeppelin all had a beautiful love-child.” A clever songwriter at only 24–his writing and musicality is well beyond his years and his voice is otherworldly. Paul’s new single ‘Rain’ is coming out on limited-edition 7” vinyl from Leesta Vall Records, featuring Andrew Scott of legendary Canadian band Sloan on drums.
What can you say about the exceptionally talented poet, novelist, and prolific singer/songwriter Leonard Cohen.that hasn’t already been said? Well, the Song Talk Radio action team didn’t worry about that. Bruce, Neel, and Phil simply dove into their memories and had a close look at three of his many, many songs. Bruce brought the poetic Bird on a Wire (1969), Neel shared the dark and foreboding Everybody Knows (1980’s), and Phil had us pay attention to one of Cohen’s last recordings, the prescient Leaving the Table (2016).
Indie rock band Beige Shelter stopped by to talk about forming the band, producing their first album, and performed two songs. Our very own Neel Modi took the co-guest seat as producer, drummer, and co-writer. A good friend of Song Talk Radio, Patrick Ballantyne filled in for Neel’s host spot.
Beige Shelter is:
Adi Aman – songwriter, vocals, rhythm guitar, ukulele, harmonica
Neel Modi – producer, percussionist, co-writer on Colours
The Song Talk Team had the distinct pleasure of spending an hour with the very talented and original singer/songwriter Dan Edmonds. His fresh takes on music and how it’s made were both illuminating and engaging. He played two of his intriguing recordings – “Love Can Be a Tunnel” and “To Be That Needle”. We talked about:
improvising lyrics in the recording studio
letting the listener make their own meaning from the words
Bruce, Neel and Phil were all happy to have Patrick Ballantyne back in the Song Talk Radio studio for the third time. He always brings great songs (listen to “Make Believe” and “Sky” for proof) and lots of experience to share about the songwriting process for our listeners. When writing a song, he starts with the music – almost always on the guitar. For contrast, he has started writing on the piano where he has less competency and is forced to “keep it simple.” After writing solo for many years, he recently joined a group of collaborators and enjoyed the process.
Having been immersed in the wonderful world of singer-songwriters during my time at Song Talk Radio, I’ve attended quite a number of gigs and open mics over the past year.
Everyone I’ve seen perform has great talent in singing, playing an instrument and writing music.
However, I find there’s a lot of variation in a performer’s ability to make an emotional impact on me as an audience member.
A singer may have an amazing voice, but if every song in their set (or even a single song) is delivered in the exact same way and with little variation in emotional expression, I might leave thinking: “That was a good show”, but not feeling that my mind was blown or heart inspired.
So, I’d like to share an exercise – the Song Interpretation Exercise, to be exact – that may help in taking your performance up a notch in the mind-blowing, heart-inspiring department.
From the moment Blair Packham started to speak, we knew we were in for some great lessons from a master songwriter and experienced teacher. If You Were Mine featured a great bridge and instrumental break. In Her Dreams started out as a story of a woman in a call centre and moved to a daughter caring for an ailing mother. In our wide-ranging conversation we also touched on the following:
who are you writing for?
does the song connect emotionally with the listener?
collaboration is good
ask for feedback and use it
write from your creativity
the new singer-songwriter accent (Shawn Mendes song Stitches for example)
Seasoned professional guitarist, singer-songwriter, and all-around nice guy Scott Neary shares some of his best kept songwriting secrets. Scott also accompanied the talented jazz songwriter Steven Teatz for his appearance on Song Talk Radio. We talked about:
The great chorus debate – to repeat it verbatim or not?
Why you should whistle your melody
Why, sometimes, you need to ask, “Why does there have to be a chord?”
Why you should re-harmonize your chords after you develop a great melody on conventional chords