chords

Phil, Bruce, Brighid, Carmen and Vanessa

Brighid Fry: Songwriting with multiple collaborators

Teenaged singer-songwriter Brighid Fry joins us to talk about her many collaborations and solo songwriting processes. Singer-songwriter Carmen Toth filled in for Neel – thanks Carmen! We talked about:

  • the challenges of being a teenaged singer-songwriter
  • collaborating in different bands
  • songs written for placement in TV, movies, etc
  • are perfect rhymes overrated?
  • Regina Spektor
  • how to write the hook in a song

Download the lyrics for Cool-Cruel and Alarm

Listen to the show

Bruce, Brandon, Belinda, Sintja, Phil, Vanessa, and Neel

Sintja Baba – songwriting with a band’s support

Multi-instrumentalist and back up vocalist Sintja Baba has been playing alongside various Toronto acts and is currently playing that role in Marlon Chaplin’s band. She started her own band THE NAIVE, where her music has taken the shape of various genres. Her EP, “Saw the Sun” is a medley of catchy upbeat hooks and mellow ballads. We talked about:

  • Jazz program at University of Toronto
  • longterm song development
  • songwriting as expression of longing
  • Brazilian music influences
  • theory versus intuition
  • keyboard as cello

Listen to the whole show here:

Saw The Sun lyrics: saw-the-sun-lyrics

Dirty Streets lyrics: dirty-streets-lyrics

Artist website:
www.thenaivemusic.com

Twitter:
www.twitter.com/sintjababa

Facebook:
www.facebook.com/thenaivemusic

YouTube:
https://www.youtube.com/channel/UC6qOAVsw-qknKN5ZDGxqycg

SoundCloud / MySpace:
www.soundcloud.com/thenaivemusic

Neel, Raphael, Amir, Phil, Vanessa, and Bruce

Pop songwriting with Amir Brandon

Pop music singer-songwriter Amir Brandon joined us to talk about two of his upcoming songs, working with producer Thomas McKay, and the stories behind his songs.

We also talked about:

  • Collaborating with other songwriters
  • Battle Royale: grammar vs. lyric vs. meaning vs. melody
  • How to write a really long chorus
  • Chord choices and mixing up major, minor, and 7th chords
  • Last week’s show on non-verbal hooks
  • Doing cover songs on youTube
  • The competitive nature between Eddie Murphy’s and Freddie Mercury’s music careers (aka Phil’s faux-pas)
  • Narrative and longing through the seasons in Waiting for Summer

Download the lyrics for Amir’s songs Diamonds-Rain-Lyrics and Waiting-for-Summer-Lyrics.

Listen to the show

Bruce, Phil, Nolan, Raphael, and Neel

Nolan Hubbard and his happy summer tunes

Singer/songwriter Nolan Hubbard, originally from Gananoque, Ontario, brought us some summer sunlight through his stories and two of his catchy, tuneful songs – “Today” and “Sandbanks”. In this informative and entertaining program we talked about:

  • Douglas Romanow producer
  • Recording in Nashville
  • Organizing your own cross-Canada tour (with your Dad)
  • Metalworks recording studio and school – performance program
  • Covers on YouTube
  • “Today” – a call to action, no chorus, whistling, G to G Augmented, C to Cminor
  • Finding a publicist – Hype Music, Toronto
  • Collaborating vs. writing on your own
  • “Sandbanks” – lots of lyrics, variations, tempo changes, instrumental bridge

Here are the lyrics for Today and Sandbanks

nolanhubbard.com

@nolanhubbard

facebook.com/nolanhubbardmusic

https://www.youtube.com/channel/UCehutQn4uLaof89VAtuAEQw

 

Neel, Blair, Sean, Bruce, Vanessa, and Raphael

Chord-based and conversational songwriting with Sean Bertram

Up and coming singer-songwriter and Humber College music student Sean Bertram joined us to talk about his education and his chord-based approach to songwriting. Blair Packham subbed in for Phil – thanks Blair! And welcome to Raphael, our new technical and audio specialist – welcome to the team!

We talked about:

  • why bother making an album anymore
  • writing as a hopeless romantic
  • why do we ( as humans) write songs?
  • writing outside typical “campfire chords
  • developing lyrics based on your chord choices
  • conversational storytelling: rhyme schemes and writing two verses before hitting the chorus
  • Song Studio
  • using falsetto in your songs

Listen to the show

Download the lyrics for Closure and She’ll Ruin Me.

Watch the live performances

 

Sherry, Bruce, Jenny, Phil, Nicole, and Neel

Bridging classical and modern idioms with Jenny Perez

Jenny Perez is a classically trained pianist and vocalist. She’s recently begun her journey as a singer-songwriter, bringing her classic flavours to her modern songwriting. For this show, Jenny was accompanied by Sherry Jacoby on guitar and backup vocals.

We talked about:

  • the difference between classical and modern pop singing
  • the learning your technique debate: how much technique is too much?
  • going from the major to the minor on the same letter (eg. G-major to G-minor) in your chord progression
  • gettin’ all free and easy with your tempo
  • how much perfect rhyming can you stand before its gets too cheesy? Check out rhymezone.com
  • the guys argued over the pros and cons of having deliberately provocative lyrics

Listen to the show

Download the lyrics for Mr. Tinder

Watch the live performances

Connect with Jenny

http://jenniferperezmusic.com/

https://www.facebook.com/Jennifer-Perez-Music-1426411830986082/

image showing the circle of 5ths

How to use the Circle of Fifths to write songs

I know many of you don’t care for music theory. It’s clinical, it’s boring, and it sucks the soul out of songwriting. Well, news flash: you’re using music theory whether or not you intend to. For myself, I know my theory pretty well, as I learned it at young age. I couldn’t tell you if I’m playing in a Mixolydian or Phrygian mode, though, except that it’s fun to throw “Phrygian” into normal conversation.

Case in point: the Circle of Fifths (the Circle). Download a hi-res copy here. I’ve been asked before if a certain chord progression is an example of the Circle of Fifths. The question is missing the point. The Circle of Fifths isn’t a technique like modulation or chord substitution. It’s a way of understanding the essential elements of western music: the notes, the intervals, the chords, and the relationships between them.

It’s the relationships between chords that make a chord progression. Referring to the Circle of Fifths can help you discover interesting chord progressions, particularly when you’re stuck for what the next chord wants to be.

Just like clockwork

The Circle looks much like a clock. Just like there are 12 hours on a clock, there are 12 notes on the Circle. (If you haven’t downloaded a copy yet, you’ll want to so you can refer to it as you read the rest of this article.)

Read more

Neel, Bruce, Jordan, Vanessa, and Phil

Jordan Paul returns with some awesome ambient sitar sounds

Jordan Paul returned to the Song Talk Radio studio on Gould Street in Toronto with a surprise – a beautifully handcrafted sitar. And he played it! In this detour from his usual singer/songwriter explorations, Jordan Paul combines samples with his own sitar playing to create mesmerizing melodies and soundscapes. In this fascinating program you’ll learn about:

  • the parts of a sitar
  • how to play the sitar
  • Indian music
  • taking sitar lessons
  • ambient music
  • improvisation in the studio

Contact Jordan Paul

Artist website:
http://www.jordanpaul.ca

Twitter:
http://www.twitter.com/jordanpaulmusic

Facebook:
http://www.facebook.com/jordanpaulmusic

YouTube:
http://www.youtube.com/jordanpaulmusic

SoundCloud / MySpace:
http://www.soundcloud.com/jordanpaulmusic

Listen to the groovy program

Neel, Bruce, Melanie, Vanessa, and Phil

All about the pre-chorus

The show you’ve all been waiting for…or maybe that was just Neel. The Song Talk Radio Team tackles the subject of the pre-chorus; what it is, what it does for a song, and why have one? Singer/songwriter Melanie Peterson joined us to perform one of her songs as an example, “Been So Long.” To add a few more examples to the mix, Phil brought “Buddy Holly“, a short catchy tune by Weezer, Bruce brought Beige Shelter‘s latest release “Light Your Way” (by Adi Aman and Neel Modi), , and Neel presented “Head Like a Hole” by Trent Reznor of Nine Inch Nails.

We talked about:

  • How the pre-chorus relates to song structure
  • How is a pre-chorus different from a bridge?
  • How it amps up the energy
  • How is the pre-chorus different from the verse and the chorus?
  • Neel and Adi’s co-writing process for Light Your Way – check out Neel’s blog post on this

Download the lyrics for:

Listen to the show

See the live performance

Phil, Vanessa, Stacey, Bruce, and Neel

Waxing poetic with Stacey Dowswell

Singer-songwriter Stacey Dowswell joined us to talk about her literature-inspired and poetic take on songwriting with two original songs, Ties that Bind and Wax Wings. We talked about:

  • Poetic vs. more straight forward lyrics
  • How to add complexity to a simple 1-4-5 chord progression
  • How to incorporate a cliche
  • Contrast and space
  • Using dynamics in your performance
  • The benefits of noodling around to start a song

Check out Stacey’s EP release show at The Painted Lady in Toronto on June 15, 2017!

Listen to the show

Download the lyrics for Ties that Bind and Wax Wings.

Watch the live performance

Connect with Stacey

Artist website:
http://www.staceydowswell.com

Twitter:
http://www.twitter.com/staceydowswell

Facebook:
https://www.facebook.com/StaceyDowswellMusic/

YouTube:
https://www.youtube.com/channel/UCP0H6OEQCUyg1Fq3rXe7doA