Ed Roman is an award-winning singer/songwriter, performer and multi-instrumentalist from Shelburne, Ontario, Canada.Blurring the lines between pop, rock, folk, and country music genres, Ed’s uniquely crafted songs have received regular rotation on more than 100 terrestrial radio stations across North America and more than 400 stations, worldwide. On this program we had some lively discussions about:
What is “Canadiana”?
Being human and the influence of family on songwriting
Music as a way to deal with dyslexia
Forming a band at the age of 14 and writing original tunes
Lyrics have many meanings for the listeners (good!)
Emotions in the performance
Protest songs – what happens behind the scenes?
Holding onto unresolved chords versus fulfilling expectations
Our very own Neel talks about creating non-standard time-signature based EDM music. Past guest and composer Frank Horvat co-hosted while Neel’s better half, Hema handled the social media.
Michelle Thibodeau is a pop-folk singer/songwriter from Moncton, New Brunswick, now based in Toronto. She performed live for Sir Andrew Lloyd Webber (2012) and David Foster (June 2017) as well as recently playing the leading lady “Nancy” in a professional production of Oliver the Musical. Her most recent single “Checkmate” (Oct 2016) was played nation-wide on CBC and Michelle is currently working on her third album of original music. At the age of 16, Michelle began writing songs on both guitar and piano, and 10 years later it is still her primary passion. For more information on her upcoming releases and performances in the GTA and the Maritimes, visit michellethibodeau.ca.
Multi-platinum hit songwriter Shelly Peiken, has written songs for, and with, Ed Sheeran, Keith Urban, Celine Dion, Cher, Reba McEntire, Christina Aguilera, Meredith Brooks, Britney Spears, Natasha Bedingfield, NSYNC, Miley Cyrus, Selena Gomez, Idina Menzel and Demi Lovato. Shelly Peiken is also a successful author who has written a book detailing her experiences in songwriting – “Confessions of a Serial Songwriter”. Shelly shared two songs with us – “Bitch” and “Who You Are”. Here are some of the things we discussed:
Teenaged singer-songwriter Brighid Fry joins us to talk about her many collaborations and solo songwriting processes. Singer-songwriter Carmen Toth filled in for Neel – thanks Carmen! We talked about:
the challenges of being a teenaged singer-songwriter
Multi-instrumentalist and back up vocalist Sintja Baba has been playing alongside various Toronto acts and is currently playing that role in Marlon Chaplin’s band. She started her own band THE NAIVE, where her music has taken the shape of various genres. Her EP, “Saw the Sun” is a medley of catchy upbeat hooks and mellow ballads. We talked about:
Pop music singer-songwriter Amir Brandon joined us to talk about two of his upcoming songs, working with producer Thomas McKay, and the stories behind his songs.
We also talked about:
Collaborating with other songwriters
Battle Royale: grammar vs. lyric vs. meaning vs. melody
How to write a really long chorus
Chord choices and mixing up major, minor, and 7th chords
Singer/songwriter Nolan Hubbard, originally from Gananoque, Ontario, brought us some summer sunlight through his stories and two of his catchy, tuneful songs – “Today” and “Sandbanks”. In this informative and entertaining program we talked about:
Up and coming singer-songwriter and Humber College music student Sean Bertram joined us to talk about his education and his chord-based approach to songwriting. Blair Packham subbed in for Phil – thanks Blair! And welcome to Raphael, our new technical and audio specialist – welcome to the team!
Jenny Perez is a classically trained pianist and vocalist. She’s recently begun her journey as a singer-songwriter, bringing her classic flavours to her modern songwriting. For this show, Jenny was accompanied by Sherry Jacoby on guitar and backup vocals.
We talked about:
the difference between classical and modern pop singing
the learning your technique debate: how much technique is too much?
going from the major to the minor on the same letter (eg. G-major to G-minor) in your chord progression
gettin’ all free and easy with your tempo
how much perfect rhyming can you stand before its gets too cheesy? Check out rhymezone.com
the guys argued over the pros and cons of having deliberately provocative lyrics
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