Blues-rock-soul singer-songwriter Gravely James shares his journey from a trumpet-playing kid to a kickin’ singer-songwriter. He also treated us to two incredibly energetic performances of his songs. We talked about:
Avery Florence stopped by the studio on the cusp of her first tour. She was excited! “Road trip!” Her songs were a treasure trove of musical delight, and her tips about managing her own career were helpful to anyone trying to make a living as a singer/songwriter.
Bruce, Neel, Phil and Vanessa each shared a song that meant something to them for the holidays. Bruce featured a song from a series of The Beatles releases from 1964 to 1969 that he and his brothers bought each other for Christmas. Vanessa brought in a ballet number from her childhood as a dancer. Phil showcased a feel-good (well, except for the drunk tank) song from the Pogues. And Neel featured a song from his childhood that may have played a role in his wanting to be a musician.
Multi-talented Toronto poet, novelist, and singer/songwriter Robert Priest brought two great songs to the show. He also brought two talented musicians to back him up – guitarist and vocalist David Hines and guitarist Bob Cohen. We talked about a wide range of things including:
Popular guest co-host and guest on Song Talk Radio, Patrick Ballantyne dropped by the studio to share two of his favourite Canadian songs. “Help Me” by Joni Mitchell is a great example of her unique combination of melody, structure, and lyrics to evoke a casual conversational tone. Includes a great instrumental hook. Patrick’s other pick was a song by Ian and Sylvia, “The French Girl”, in a very unusual version recorded by Gene Clark. As we discussed the tunes, we talked about:
Andy De Rego, also known as Black Suit Devil, is a seductive blend of acoustic soul with thought provoking lyrics and heartfelt, soulful melodies. Andy has been a regular in Toronto’s rock, blues and metal music scenes for over twenty years, writing and performing across North America. Andy joined us to talk about:
stealing borrowing from Black Sabbath if you’re going to start a metal band
how Andy’s lyrics pull from the political, “fight the man” attitude of metal