We featured songs on this episode that use the unique “talk singing” technique. For the most part, we agreed that talk-singing meant that the singers were using short notes without too much melodic range, but still consciously in the key of the song.
We talked about:
how the ends of talk-singing musical lines work
the differences between rap and talk-singing
how talk-sung songs have interesting music beds
how you have a melody even when you’re speaking
how the late 70s and 80s saw a lot of talk-singing songs
Multi-instrumentalist and back up vocalist Sintja Baba has been playing alongside various Toronto acts and is currently playing that role in Marlon Chaplin’s band. She started her own band THE NAIVE, where her music has taken the shape of various genres. Her EP, “Saw the Sun” is a medley of catchy upbeat hooks and mellow ballads. We talked about:
Kirk Felix arrived at our little studio with a whole band; bass, violin (fiddle), and cajon. As we did our sound check the Song Talk crew all savoured the gentle, soothing and heart-warming sounds of a folk ensemble. Patrick Ballantyne sat in for Neel Modi who was on assignment. In addition to two very authentic folk songs (Dusty Roads and Whispering Peace), we talked about:
Indie rock band Beige Shelter stopped by to talk about forming the band, producing their first album, and performed two songs. Our very own Neel Modi took the co-guest seat as producer, drummer, and co-writer. A good friend of Song Talk Radio, Patrick Ballantyne filled in for Neel’s host spot.
Beige Shelter is:
Adi Aman – songwriter, vocals, rhythm guitar, ukulele, harmonica
Neel Modi – producer, percussionist, co-writer on Colours
For this special theme show, each of the hosts presented a song with “unusual” or hard-to-decipher lyrics. We delved into a discussion around understanding the intentions behind and interpreting the songs. Download the lyrics here: Unusual Lyrics
Neel’s selection: A Self Called Nowhere by They Might Be Giants
Bruce’s selection: McArthur Park by Jimmy Webb (performed by Donna Summers)
Janice’s selection: Paranoid Android by Radiohead
We talked about:
The notion that once your song is released to the world, it’s no longer yours and open to multiple interpretations
Scott B Sympathy returned to Song Talk Radio to talk about how his songwriting process has evolved over twenty years, why you should write everyday, and why every song doesn’t need a bridge. He also played Downhearted live, and played back Come & Go from his Massey Harris album.
One in the Chamber (Mike Baise – vocals, rhythm guitar, Cecil Eugene – lead guitar, vocals, Christian Dotto – bass, Gerrod Harris – percussion) join us to discuss their songwriting process as a band. We talked about:
bringing a song to the band to be fleshed out
singing lead vocals with lyrics written by a bandmate
to be or not to be wordy
rock and roll
With influences streaming in from all eras of rock, One In The Chamber is a unique, modern rock outfit. Driven by roaring vocals, slinky guitar work, and fueled by driving bass lines and tight, deep grooves, One In The Chamber are able to bring together elements from the 60’s to present day into one tasteful flavour. Hailing from Mississauga, Markham, and Richmond Hill, One In The Chamber can proudly call Toronto and the surrounding cities home, and are excited to perform at your next big event. Be it Friday night in the club, a summer festival, or your block party. Drawing inspiration from the past, while keeping things fresh, One In The Chamber is your new favorite band.
Jenny Ritter and her very cool guitarist Tyler Belluz entertained us with a rich variety of tunes all beautifully sung. She started writing in her early 20’s. Her first band – The Gruff – played for 10 years. Jenny currently leads two rock choirs in Victoria, BC. A History of Happiness was written in crisis. Jenny was looking for happiness in the past and imagined life as Queen of the World. The intriguing song Wolf Wife was written on a dock near North Bay, Ontario. Eschewing the label of “singer songwriter”, Remember the Life, was written to be interpreted by her band.